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The Spectacular Spider-Man

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issues = (vol. 1): 263
(vol. 2): 27

The Spectacular Spider-Man is the name of several comic books and one magazine series starring Marvel Comics' Spider-Man.

The character's main series, The Amazing Spider-Man, was extremely successful, and Marvel felt the character could support more than one title. This led the company in 1968 to launch a short-lived magazine, the first to bear the Spectacular name. In 1972, Marvel more successfully launched a second Spider-Man ongoing series, Marvel Team-Up, in which he was paired with other Marvel heroes. A third monthly ongoing series, Peter Parker, The Spectacular Spider-Man, debuted in 1976.



The Spectacular Spider-Man Magazine #1

The Spectacular Spider-Man was initially a two-issue magazine published by Marvel in 1968, as an experiment in entering the black-and-white comic-magazine market successfully pioneered by Warren Publishing and others. It sold for 35 cents when standard comic books cost 12 cents and annuals and giants 25 cents. It represented the first Spider-Man spin-off publication aside from the original series' summer annuals, begun in 1964.

The first issue (July 1968) featured a painted, color cover with a 52-page black-and-white Spider-Man story, "Lo, This Monster!", by writer Stan Lee, with art by penciler John Romita, Sr. and inker Jim Mooney. A 10-page origin story, "In The Beginning!", was by Lee, penciler Larry Lieber and inker Bill Everett.

The feature story was reprinted in color, with some small alterations and bridging material by Gerry Conway, in The Amazing Spider-Man #116-118 (Jan.-March 1973) as "Suddenly...the Smasher!", "The Deadly Designs of the Disruptor!", and "Countdown to Chaos!" (with additional inking by Tony Mortellaro on the latter two). These versions were themselves reprinted in Marvel Tales #95-97 (Sept.-Oct. 1978).

The Spectacular Spider-Man Magazine #2

The second and final issue (Nov. 1968) also sported a painted cover, and now the interior was in color as well. Lee, Romita and Mooney again collaborated on its single story, "The Goblin Lives!", featuring the Green Goblin. A next-issue box at the end promoted the planned contents of the unrealized issue #3, "The Mystery of the TV Terror". A version of the Goblin story, trimmed by 18 pages, was reprinted in The Amazing Spider-Man Annual #9 (1973), and portions of the "TV Terror" costume were reused for the costume of the Prowler.

Both issues of the magazine were reprinted in their entirety (albeit reduced to comic size) in the collection Marvel Masterworks: The Amazing Spider-Man #7 (ISBN 0-7851-1636-2). The first issue was also reprinted in 2002, exactly as it was originally presented. This is known as the Facsimilie Edition.

Volume One (1976-1998)

Peter Parker, The Spectacular Spider-Man #132 (1987). Art by Mike Zeck

Titled Peter Parker, The Spectacular Spider-Man on its December 1976 debut, and shortened to simply The Spectacular Spider-Man with #134 (Jan. 1988), this was the second Amazing Spider-Man monthly comic-book spin-off series, after Marvel Team-Up, which also featured Spider-Man. The monthly title ran 263 issues until 1998.

Scripting initially alternated between Gerry Conway and Archie Goodwin until mid-1977, when Bill Mantlo took over, staying on the title for almost seven years. During this time, the book focused more on Peter Parker's campus life at Empire State University than Amazing did (as well as giving more attention to Peter's colleagues than to the more long-running supporting characters who featured in Amazing). The first regular artist was Sal Buscema, who drew the title until mid-1978. After Buscema’s departure, a succession of artists (including Mike Zeck, Frank Miller, Jim Mooney, Ed Hannigan and Greg LaRocque) penciled the series for approximately five years.

Al Milgrom took over scripting (as well as art) in early 1984, following writer Roger Stern's 1980-1981 run mid-Mantlo. Milgrom imbued the book with a whimsical tone, for example pitting Spider-Man against The Spot, an enemy so ridiculous he gave Spider-Man fits of laughter. Jim Owsley, then editor of the Spider-Man books, disapproved of this approach and had Milgrom replaced as writer by newcomer Peter David in 1985. David and artist Rich Buckler, said Owsley, had the series "focusing on stories with a serious, 'grown-up' tone and more complex themes". One notable storyline is their "Death of Jean DeWolff" arc (#107-110). David continued scripting Spectacular until early 1988.

With issue #134, the "Peter Parker" part of the title was removed and the series became simply The Spectacular Spider-Man. The logo changed from a distinctive design to using the same design as The Amazing Spider-Man and the title would not sport a unique logo design until 1996. Sal Buscema returned as the regular artist, staying with the title from early 1988 to late 1996; throughout the series' run, Buscema drew over 100 issues, making him by far its most frequent contributor.

After his "Return of the Sin-Eater" arc (#134-136, Jan.-March 1988), David was removed as writer. Editor Owsley said editor-in-chief Jim Shooter "disliked Peter's work intensely". David, in a 2005 interview, believed, "I was fired off Spider-Man because it was felt at the upper editorial level that a novice comic-book writer shouldn't be handling the adventures of Marvel's flagship character". Gerry Conway, who additionally wrote Web of Spider-Man from 1988 to 1990, returned to the series after which he left both books to become a story editor on the TV series Father Dowling Mysteries.

J.M. DeMatteis became the regular writer in mid-1991, beginning his run with the story arc "The Child Within" (#178-184, July 1991 - Jan. 1992), featuring the return of the Harry Osborn Green Goblin, who would be killed in #200 (April 1993). DeMatteis injected a grim, psychological tone into the book, exemplified by the arc "Kraven's Last Hunt", a six-part collaboration with artist Mike Zeck that crossed over the three Spider-Man titles in 1987. In a 2003 interview, DeMatteis revealed that scripting Spectacular in 1991-1992 was his favourite run on Spider-Man: "I really loved the two years on Spectacular Spider-Man that I wrote with Sal Buscema drawing. Talk about underrated! Sal is one of the best storytellers and a wonderful collaborator. I loved that run."

DeMatteis left the book in mid-1993 to write The Amazing Spider-Man. Steven Grant and other writers followed through late 1994, when former Amazing Spider-Man writer Tom DeFalco took over. By this time, all the Spider-books were affected by the controversial "Clone Saga" that culminated with Spectacular Spider-Man #226 (July 1995). This story revealed (though it was later reversed) that the Spider-Man who had appeared in the previous 20 years of comics was a clone of the real Spider-Man. This tied into a publishing gap after #229 (Oct. 1995), when the title was temporarily replaced by The Spectacular Scarlet Spider #1-2 (Nov.-Dec. 1995), featuring the "original" Peter Parker. The series picked up again with #230 (Jan. 1996).

Todd DeZago then wrote for a year before DeMatteis returned through May 1998. Luke Ross succeeded Sal Buscema as the artist and remained until the series ended, but there was no regular writer for the last half-year with Glenn Greenberg, Roger Stern, John Byrne and Howard Mackie all contributing during this time. The final issue was #263 (Nov. 1998).


  • Essential Peter Parker: The Spectacular Spider-Man Vol. 1 (ISBN 0-7851-1682-6) - Collects issues #1-31
  • Essential Peter Parker: The Spectacular Spider-Man Vol. 2 (ISBN 0-7851-2042-4) - Collects issues #32-53, Annuals 1-2
  • Esstional Peter Parker: The Spectacular Spider-Man Vol. 3 - Collects issues #54-74, Annual #3
  • Esstional Peter Parker: The Spectacular Spider-Man Vol. 4 - Collects issues #75-96, Annual #4
  • Spider-Man:Origin of the Hobgoblin Reprints #85
  • The Amazing Spider-Man: The Death of Jean DeWolff (1990, ISBN 0-87135-704-6) - Collects #107-110
  • Spider-Man vs. The Silver Sable Vol. 1 Reprints #128-129
  • Spider-Man Kravens's Last Hunt Reprints #131-132
  • Spider-Man:The Cosmic Adventures Reprints #158-160
  • Spider-Man and The X-men Reprints #197-199
  • Son of the Goblin Reprints #189, 200
  • Maximum Carnage Reprints #201-203
  • Spider-Man: Revelations Reprints #240
  • Spider-Man:Identity Crisis Reprints #257-258

Volume Two (2003-2005)

Spectacular Spider-Man vol. 2, titled without the definite article "The", is a 27-issue monthly series published between 2003 and 2005. Each issue was written by Paul Jenkins (except #23-26, by Samm Barnes). The book's primary pencillers were Humberto Ramos and Mark Buckingham. This series replaced the cancelled Peter Parker: Spider-Man vol. 2.

The comic included the storyline Spider-Man: Disassembled where Spider-Man met a new enemy called the Queen who wanted him as her mate. Her kiss caused him to slowly mutate into a giant spider who metamorphosed into human form with enhanced strength and agility along with organic webbing and a psychic link with insects and arachnids.


  • The Spectacular Spider-Man Vol. 1: The Hunger (ISBN 0-7851-1169-7) - Collects issues #1-5
  • The Spectacular Spider-Man Vol. 2: Countdown (ISBN 0-7851-1313-4) - Collects issues #6-10
  • The Spectacular Spider-Man Vol. 3: Here There Be Monsters (ISBN 0-7851-1333-9) - Collects issues #11-14
  • The Spectacular Spider-Man Vol. 4: Disassembled - Collects issues #15-20
  • The Spectacular Spider-Man Vol. 5: Sins Remembered (ISBN 0-7851-1628-1) - Collects issues #23-26
  • The Spectacular Spider-Man, Vol. 6: The Final Curtain (ISBN 0-7851-1950-7) - Collects issues #21, 22, 27 and Peter Parker: Spider-Man (Vol. 2) # 39-41 .

UK title

Spectacular Spider-Man Adventures is a title published by Panini Comics in the UK, although the Adventures portion of the title is often dropped from the cover page. It features a mix of reprinted American material as well as originally produced British material. Spectacular is aimed at a younger audience than Panini's other Spider-Man reprint title Astonishing Spider-Man, and is loosely based on the continuity of the 1990s animated series.

See also